Addis Abeba, February 2019. Just right before the beginning of Spring I went on a mission to Ethiopia. The aim was to evaluate the state of conservation of some important book collections and to meet the people in charge of their preservation and protection. My trip was also the occasion to talk to locals about their culture, history and crafts, and to share knowledge and information. It was definitely a constructive meeting that built the foundation for a future fruitful collaboration.
The workshop introduced to the history, materials and techniques of digital printing. Samples of different techniques have been shown and analysed under a microscope, and then deterioration processes have been examined and discussed, along with the illustration of preservation strategies to handle, mount and store the materials in the most suitable way possible.
Using magnification and different illumination techniques, I could exercise how to identify the main families of digital prints, particularly electrophotography, digital exposure to photographic materials, thermal processes, and inkjet.
The workshop has been also the occasion to meet colleagues involved with photograph conservation in North Eastern European countries, such as Estonia, Finland, Latvia and Lituania, and to visit the wonderful city of Tallinn during the Estonian Photographic Art Fair with a rich program of exhibitions and talks in Telliskivi.
Berlin, July 2017 – Last week I was in Berlin again, after almost three years, attending the Workshop on the Conservation of Japanese Screens at the Museum für Asiatische Kunst in Dahlem.
One more time I had the chance to meet my teachers from Japan and colleagues from all over the world, and learn about complex objects such as byobu and traditional techniques to built and restore them.
Once again a wonderful and useful experience for both my professional and personal growth.
This five-day workshop is designed for conservators and restorers who already have an advanced knowledge of Japanese restoration and conservation techniques. It is aimed to introduce the basic technique of Japanese paper restoration techniques, the structure of Japanese screens like byobu(folding screen), the analysis of damages on screens through the practical work conducted by Japanese specialists. Applicants are required to have previously taken either “Basics for Japanese Paper and silk conservation” or similar workshops run by Tokyo National Research Institute for Cultural Properties such as JPC 2006 downward.”
In the pictures: moments from the workshops; life in Berlin.
Doha, June 2017 – I have just returned from my trip to Qatar, my second time in Doha.
I went to Qatar 10 years ago to work as conservator at the Museum of Islamic Art. It was one of the most challenging experiences in my life and surely the most fruitful in terms of what I have learnt about the world.
At that time although the museum was still under construction and it was just an empty space. Today I could finally see it open.
In the pictures: the museum dom from the inside; a view of the city skyline from the museum terrace; me in front of the museum entrance.
Rome, May 2017 – Yesterday the Italian Geographical Society celebrated its 150th anniversary with the opening of an exhibition of its collection masterpieces in the presence of the President of the Republic.
On this occasion I participated in setting and mounting the objects that were on display in the library rooms of Palazzetto Mattei in Villa Celimontana, historical headquarters of the Society and a starting point for many Italian expeditions around the world.
In the pictures: visitors at the exhibition; Vice President Prof. Margherita Azzari and General Director of Libraries and Cultural Institutes Dr. Rossana Rummo; conservation work; concert of the Orchestra dei Carabinieri.
Lisbon, March 2017 – On the 9th of March the Italian Cultural Institute in Lisbon invited my colleague Barbara Cattaneo and me for a presentation on the conservation of paper and photographs along with Luis Pavao, one of the pioneers of photograph conservation in Portugal.
It was a pleasure to meet him and all the participants, to share and compare practice and principles of conservation at international level. Moreover, we could visit Luis Pavao amazing conservation lab, where he also hosts professionals for trainings and interships.
In the pictures: a flyer of the conference; me and Barbara getting ready for the presentation; visiting the photographic conservation lab of Luis Pavao; Lisbon.
Seoul, December 2016 – I recently came back from South Korea where I have attended the workshop on Hanji paper making for foreign specialists held by the Korean Craft & Design Foundation. My colleagues and I could personally try the Oebal and Ssangbal traditional Korean technique and make our sheet under the expert supervision of very skilful Korean masters.
In the pictures: masters making paper with the oebal technique; the master and me; the group of participants, Korean tutors, teachers and govern representatives.
Hamburg, November 2016 – This week I went to Hamburg, Germany, at the Centre for the Study of Manuscript Cultures where I had the pleasure to meet again passionate scholars and researchers who investigate on Himalayan papers, their hand making process and their trading routes across the highest region on Earth. Such a wonderful workshop!
In the pictures: presentations during the workshops; the harbour of Hamburg.
Brussels, October 2016 – Brussels is not far from Amsterdam so I decided to take the chance to attend the RE-ORG seminar on the 29th and the 30th of September. Lots of ideas and enthusiasm after the final brain-storming!
To know more about the ICCROM RE-ORG project, please visit the following websites:
Amsterdam, September 2016 – Last week I was in Amsterdam for the ICOM-CC Photographic Materials Working Group Triennal Conference 2016 at the Rijksmuseum. In the poster session of the conference my colleague Barbara Cattaneo and I presented our reasearch on the physical and aesthetic properties of Hanji and its usefulness in the field of the conservation of photographic prints.